Booker Prize Shortlist 2023

The Shortlist was announced today for the 2023 Booker Prize. The thirteen titles on the Longlist have been whittled down to six:

• Sarah Bernstein - Study for Obedience (Canada)
• Jonathan Escoffery - If I Survive You (America)
• Paul Harding - This Other Eden (America)
• Paul Lynch - Prophet Song (Ireland)
• Chetna Maroo - Western Lane (Kenya/Britain)
• Paul Murray - The Bee Sting (Ireland)

Well, it appears you have a better chance of being shortlisted if your name is Paul! 

Chair of the judging panel, Edi Edugyan, said of the shortlist:

The best novels invoke a sense of timelessness even while saying something about how we live now. Our six finalists are marvels of form. Some look unflinchingly at the ways in which trauma can be absorbed and passed down through the generations, as much an inheritance as a well-worn object or an unwanted talent. Some turn a gleeful, dissecting eye on everyday encounters. Some paint visceral portraits of societies pushed to the edge of tolerance. All are fuelled by a kind of relentless truth-telling, even when that honesty forces us to confront dark acts. And yet however long we may pause in the shadows, humour, decency, and grace are never far from hand. 

‘Together these works showcase the breadth of what world literature can do, while gesturing at the unease of our moment. From Bernstein and Harding’s outsiders attempting to establish lives in societies that reject them, to the often-funny struggles of Escoffery and Murray’s adolescents as they carve out identities for themselves beyond their parents’ mistakes, to Maroo and Lynch’s elegant evocations of family grief – each speaks distinctly about our shared journeys while refusing to be defined as any one thing. These are supple stories with many strands, many moods, in whose complications we come to recognise ourselves. They are vibrant, nervy, electric. In these novelists’ hands, form is pushed hard to see what it yields, and it is always something astonishing. Language – indeed, life itself – is thrust to its outer limits.’

This is a surprising shortlist without an obvious front runner.  I haven't read any of these books yet and to be honest I am not sure I will, as most of the longlist titles I was interested in did not make the cut. The only one that intrigues me is Paul Lynch's Prophet Song. 

The Winner of the Booker Prize, and recipient of £50,000, will be revealed on 26 November 2023. 

Dead Man's Creek

Detective Nell Buchanan has been newly appointed to the homicide division, based in Dubbo NSW (a regional city 400km north-west of Sydney). She works there with senior detective Ivan Lucic, and their patch covers a vast area of the state. The two get called to the (fictional) town of Tulong, a seven-hour drive south of Dubbo, where a body has been found. They soon learn this is a historical crime and find themselves investigating a cold case, one which has ties to Nell's family.

The story shuffles along different timelines. In the 1940s, Jimmy Waters is a young boy who catches crayfish in the river and sells them. Much of this era's history comes from Jimmy's modern witness. statements.  In the 1970s teenage Tess Waters falls for Tycho Buchanan, an ambitious local journalist. Tycho's father Bert runs the metal scrap yard. Today, Nell and Ivan work with local officer Kevin Mackangara to uncover the mystery of the dead man and various unexplained disappearances that occurred on the past eighty years. To say more would give away a tightly woven plot which was a joy to unwind.

Tulong sits on the edge of a deep forest, the Cadell Fault (the 'tilt' of the title) is a geological feature running along the Murray River, impacting its flow. Like other Hammer novels, the landscape is a key character. The forest holds dark secrets, now and in the past. Back in WWII there was a prisoner of war camp on the Victorian side of the river, today there are bird watchers, doomsday preppers, and environmentalists staking claim. 

The Tilt (2022) (published internationally as Dead Man's Creek) is the second novel featuring Buchanan. I really liked her as the plucky novice in Treasure and Dirt (2021), and I am enjoying the evolution of her character her. I have previously critiqued Hammer's portrayal of women (his Mandalay Blonde was one-dimensional), but here he has given Buchanan a compelling back story and a growing confidence. She is fully formed, intuitive, vulnerable and self-aware.

In each of Hammer's novels there is a map of the fictional town (created by Aleksander J Potocnik) which help the reader to understand the topography and proximity of places. As I read, I frequently visited the map to make sure I knew where the action was occurring, enhancing my enjoyment of the novel. 

My reviews of other Chris Hammer novels are available on this blog: Scrublands (2018); Silver (2019); Trust (2020); and Treasure and Dirt (2021). The next instalment of the Lucic and Buchanan series, The Seven (2023), will be released in October 2023.

Invisible Hand

Anna Funder is a brilliant writer and I eagerly await any new publication. Her exploration of the East German secret police in Stasiland - Stories from Behind the Berlin Wall (2003) is a meticulously researched work of non-fiction. Her compelling debut novel All that I Am (2011) won the Miles Franklin Award in 2012. Her novella The Girl with the Dog (2015) is a gem of a story. So when I heard she was working on a book about George Orwell's wife, I preordered it months from publication and devoured it the moment it arrived. 

Wifedom - Mrs Orwell's Invisible Life (2023) explores the life of Eileen O'Shaughnessy Blair (1905-1945), the woman behind George Orwell's success. Eileen is entirely absent from Orwell's work, despite her active role in supporting his career, and is sidelined in most biographies about the author. Funder had to find scraps of information - six letters written by Eileen to her friend Norah, recollections of friends of the Orwells, and other materials to piece together the life of this remarkable woman. In doing so, Funder has brought Eileen to the forefront and given her the credit she deserves for her role in the life and work of her husband.

Born in northeastern England, Eileen O'Shaughnessy was an intelligent woman, graduating from Oxford with a degree in English. She later studied at University College London for a Masters in educational psychology. At a party in 1935, Eileen met Eric Blair. Blair has recently published his early novels Burmese Days (1934), and A Clergyman's Daughter (1935), under is pen name George Orwell. The couple married the following year and moved to a cottage in Hertfordshire where she would perform all the domestic duties, tending to his various illnesses, caring for their animals and garden, and typing up his manuscripts while he would write. 

In 1936 Orwell went to Spain to join the civil war in the fight against fascism. While away, Eileen sorted out the publication of Orwell's The Road to Wigan Pier (1937) and then bravely packed up and moved to Barcelona herself. There she took up a post at the Independent Labour Party (ILP) office as a typist, logistician, and key supporter of the war effort. It was extremely dangerous for Eileen as spies were everywhere and many of her collegues were arrested or forced into hiding. When they needed to escape the country, Eileen managed to secure passports and passage out of Spain and in July 1937 they arrived back at their cottage. While in Spain, Orwell wrote Homage to Catalonia (1938) on scraps of paper smuggled back to Eileen in Barcelona. She typed up the manuscript and kept it hidden from the various raids on her office and lodgings. Despite her instrumental role in supporting his war effort, Eileen only appears in Homage to Catalonia as a passing reference to 'my wife'.   

After a six month stint in Morocco, where Orwell wrote Coming Up For Air (1939), they returned to the UK and Eileen moved to London to takes up a role at the Ministry of Information, and later the Ministry of Food. Her income allows Orwell the freedom to write as he was doing bits and pieces for the BBC.  He eventually joined her in a rented a flat in London where he wrote Animal Farm (1945) with Eileen's support. 

Eileen and Richard 1944

Eileen always wanted to have a family, and only learned late in her marriage that her husband was sterile (he knew but failed to tell her). In 1944 they adopted a baby they named Richard. As London was being bombed, she and her sister-in-law moved to County Durham with their children to protect them from war. Here Eileen's health deteriorated and she was in need of a hysterectomy. At age 39, she died during this surgery. At the time of her death, Orwell was in Paris as a war correspondent. He returned home and moved to a house on Jura where he would write Nineteen Eighty-Four (1949), a novel greatly influenced by his late wife. 

Eileen's short life was hard and sad. Funder shows how Eileen was intelligent, engaging and quick-witted, but she suppressed her own ambition to support her husband's career. Orwell himself comes off as an unlikable monster. Self-absorbed, promiscuous, demanding, absent - he really didn't appreciate Eileen until it was too late. I really felt for her and wondered why she put up with him. I don't think I would have had her strength of character and commitment to such an unequal relationship.

Wifedom is a book which defies categorisation. Funder infuses her non-fiction exploration of Eileen's life,  with snippets of her own experiences as wife and mother. She also crafts fictional scenes which meld with Eileen's letters to Norah, bringing the story to life. At times this didn't work for me and I found the transitions between styles a bit jarring. But as I read on, the power of Funder's prose and the way in which she resurrected Eileen's life became captivating and impressive. Funder took risks in writing this book and they paid off.

I recently re-read Orwell's magnificent Nineteen Eighty-Four and having read Wifedom the book has new meaning for me. I am looking forward to reading/re-reading some of Orwell's other work to explore Eileen's influence.