In Agatha Christie's Mrs McGinty's Dead (1952), Hercule Poirot arrives home to his flat in London to find a gentleman has called. Superintendent Spence needs urgent assistance. A court has just convicted James Bentley of the murder of charwoman Mrs McGinty, his landlord, and sentenced him to death. Spence doesn't think he is guilty and wants Poirot's help to prove this and save the man from execution.
Poirot heads to the village of Broadhinny and stays at a ramshackle guest house owned by the Summerhayes family. The accomodation is terrible - draughty, dirty and messy, with awful meals which offend Poirot's gastronomic sensibilities. From here Poirot wanders about the village interviewing the locals, whom he concludes are all very nice people. Poirot reminds Spence that very nice people 'has been, before now, a motive for murder' (Chapter 8). He learns that a few days prior to the murder, Mrs McGinty had taken a clipping from the Sunday Comet, a gossipy newspaper. She had also purchased some ink and written letters to persons unknown. The newspaper clipping contained photos of four women who were involved in old criminal cases. Perhaps Mrs McGinty had recognised one of the women. Perhaps one of the women was now living in Broadhinny. Perhaps one of the women did not want her past revealed and killed Mrs McGinty to stop her from sharing this secret.Like most Poirot novels, there are little clues scattered everywhere, a few red herrings, and the story culminates in a gathering of all potential suspects to hear Poirot narrate his findings and reveal the killer in dramatic fashion.
I had never heard of Mrs McGinty's Dead so I went in with no knowledge of the story. This allowed me to theorise and guess motives and suspects, and while I had kind of worked it out, there were a few twists I had not foreseen. What I found problematic was that there were so many characters I could not keep them straight in my mind. Between the Hendersons, Carpenters, Weatherbys, and Summerhayes there were too many similar characters that I could not tell them apart detracting from my enjoyment of the book.
However, one of the delights of this novel is the character Ariadne Oliver, famed crime novelist in town to work with a playwright adapting one of her works. Oliver talks about the famous Finnish detective she has based her stories around, Sven Hjerson. Olivier exclaims:
'How do I know why I ever thought of the revolting man? I must have been made! Why a Finn when I know nothing about Finland?.... You try something - and people seem to like it - and then you go on - and before you know where you are, you've got someone like that maddening Sven Hjerson toed to you for life. And people write and say how fond you must be of him, Fond of him? If I ever met that bony gangling, vegetable-eating Finn in real life, I'd do a better murder than any I've ever invented.' (Chapter 14)
Christie must have delighted in creating this fictitious version of herself and to critique her own famous detective. Mrs McGinty's Dead was Christie's 29th Poirot novel, and it marks the beginning of Poirot's final phase and Oliver's ascendency.
I read this novel as part of the 2026 Read Christie Challenge 'Biggest, Best, Beloved', which has placed Mrs McGinty's Dead in the 'Beloved Characters' category. While I cared little for most of the characters, I certainly enjoyed Poirot and Ariadne Oliver.
- The Mysterious Affair at Styles (1920)
- Murder on the Links (1923)
- The Body in the Library (1942)