Muriel Spark's novella The Ballad of Peckham Rye (1960) is a curious creation. It begins with a jilted bride who is left at the altar when Humphrey Place is asked if he takes Dixie Morse to be his wife and he responds 'No'. This scandalous event, the local gossips conclude, is due to Humphrey's friendship with Scottish migrant Dougal Douglas.
Readers are transported back a few months to Dougal's arrival in Peckham. He is an 'arts man' and gets a job at Meadows, Meade and Grindley, a textile factory. Dougal is employed in some odd occupation doing 'human research' into the inner lives of the people who work there. He hardly ever comes to the office, as he is also employed at another firm and is actually ghost writing a memoir of a retired actress/singer and is using his observations of locals to pad out the story. Dougal becomes close to Merle Coverdale, a secretary who is having an affair with her married boss, Mr Druce, the head of the company. While some people fall under the Dougal's spell, others are more wary - especially when he tells them he once had horns that have been surgically removed! Dougal's antics impact all the locals, and when he eventually leaves town he has caused untold havoc.
It is hard to know what to make of this brief novella. While the idea was fun and the story could have been more darkly comical, I found it rather superficial and it didn't really grab me after the compelling start. In fact, I probably would not have finished it had it not been so short. Suffice it to say, the thing I liked most about this book is the cover on the Penguin Modern Classic edition.
My reviews of other works by Muriel Spark are available on this blog:
