Saturday 30 July 2022

Booker Prize Longlist 2022

This week the Longlist was announced for the 2022 Booker prize. The thirteen titles nominated are dominated by six authors from America, three British, two Irish along with an author from Zimbabwe and one from Sri Lanka.  

The Booker Prize Longlist as often a mixed bag of novels, but what I love about the Longlist is that it introduces me to many authors and books I do not know. For example, from last year's Longlist I read and really enjoyed Kazuo Ishiguro's Klara and the Sun.

Neil MacGregor, chair of the judges, said of the 2022 Booker Longlist:
'The skill with which writers shape and sustain those variously imagined worlds, and allow others to inhabit them, has been our main criterion in proposing this longlist of 12 books. Exceptionally well written and carefully crafted in whatever genre, they seem to us to exploit and expand what the language can do. The list that we have selected offers story, fable and parable, fantasy, mystery, meditation and thriller.'
I haven't read any of the books on this year's Longlist yet, so let's take a quick look at the nominees:

NoViolet Bulawayo - Glory  
(Zimbabwean)
Glory is a postcolonial fable, set in a fictional African country Jidada where an elderly tyrannical horse is disposed. A chorus of animals narrate this tale as Bulawayo tells the story of the military overthrow of Robert Mugabe, Zimbabwe's President (1987-2017). The judges called this novel: 'An ingenious and brilliant political fable that bears witness to the surreal turns of history'. Bulawayo was shortlisted for the Booker Prize in 2013 for her debut novel We Need New Names.
Graeme Macrae Burnet - Case Study  
(Scottish)
A woman is convinced that a psychotherapist has driven her older sister to commit suicide. Determined to confirm her suspicions, she poses as a client and documents her sessions. As the sessions continue, the women begins to question her own identity. Graeme Macrae Burnet is an inventive writer who plays with form and style. Set in the 1960s, London counter-culture is the backdrop to an innovative novel about radical psychiatry. I absolutely loved Burnet's novel His Bloody Projectshortlisted for the 2016 Booker Prize. I have just started reading Case Study and I am really enjoying it. (Update: read review)

Hernan Diaz - Trust  
(American)
A complex, multi-layer novel exploring a fictional couple, Benjamin and Helen Rask, a wealthy Wall Street tycoon and his glamorous wife. The judges said of this novel: 'There is a dazzling intelligence behind this novel, which challenges us to rethink everything we know about the institutions on which nations are built and the narratives by which stories are told. Sly, sophisticated, insistently questioning, Diaz writes with assurance, determined to rob us of every certainty'.


Percival Everett - The Trees  
(American)
In the town of Money, Mississippi, a series of brutal murders are investigated by a pair of detectives. They face resistance from the local sheriff, the coroner, and the local community. Each crime scene resembled that of Emmett Till, a young black boy lynched decades earlier. Are these killings retribution? The judges said of this novel: 'Eerie, provocative, blackly comic Southern noir. A page-turner with a sharp, provocative edge, as it harks back to the real-life murder of young Emmett Till, it has important things to say about race'. (Update: read review)


Karen Joy Fowler - Booth  
(American)
In 1865 John Wilkes Booth assassinated President Abraham Lincoln. In this historical novel, Fowler explores the Booth family, taking the spotlight off the assassin and focussing on those around him. The judges said of Booth: 'With an eagle eye and a bone-dry wit, Fowler introduces the Booths, a 19th century family forged by theatrical ambition and agonising grief within a household steeped in racism and much-making of the disunited States'.  Fowler was previously shortlisted for the booker in 2014 for We Are All Completely Beside Ourselves.

Alan Garner - Treacle Walker  
(British)
A young boy enjoys reading comics and collecting marbles. Treacle Walker is a rag-and-bone man who claims he is a healer. The boy trades some items for something he hopes has magical properties.  The judges said of this novel: 'This tiny book compresses all his themes - time, childhood, language, science and landscape entangled - into a single, calmly plaintive cry'. At 88, Alan Garner is the oldest author to be long listed for the Booker.
Shehan Karunatilaka - 
The Seven Moons of Maali Almeida  
(Sri Lankan)
Set in 1989, in Colombo, Maali Almeida is a war photographer, gambler and closet queen. He wakes in the afterlife to find that he has been killed but has no idea by whom. He has seven moons to contact his loved ones and alert them to some important photographs. The judges said of this novel: 'Life after death in Sri Lanka: an afterlife noir, with nods to Dante and Buddha and yet unpretentious. Fizzes with energy, imagery and ideas against a broad, surreal vision of the Sri Lankan civil wars. Slyly, angrily comic'. 

Claire Keegan - Small Things Like These  
(Irish)
In a small Irish town, Christmas 1985, Bill Furlong is busy as a coal and timber merchant. When making a delivery at a convent, he discovers there is something wrong there. The convent is one of the Catholic Church's Magdalen Laundries. As a father of five daughters and born of an unwed mother himself, Bill cannot reconcile the conditions for the women in the convent with his definition of charity. The judges said of this novel: 'A story of quiet bravery, set in an Irish community in denial of its central secret. Beautiful, clear, economic writing and an elegant structure dense with moral themes'. (Update: read review)

Audrey Magee - The Colony  
(Irish)
The judges said of this novel: 'The summer of 1979. Sectarian murders claim victims across Ireland. An idyllic island fishing community off the west coast becomes the labroratory in which Magee dissects the gulf between what Ireland is and how the rest of the world wants to fantasise it.' This small island is host to an  English painter and a Frenchman, outsiders who, in their own ways, view themselves as saviours of this community. Through this narrative, Magee explores colonialism, cultural identity and violence. 

Maddie Mortimer - Maps of our Spectacular Bodies  
(British)
This debut novel explores the life of a woman, Lia. When she is diagnosed with a life-threatening illness, Lia, her husband Harry and their daughter Iris, are each derailed. Lia reflects on her past and the people who shaped it. As her illness progresses another voice begins to tell her story: the cancer that is slowly killing her. The judges said of this novel: 'Deliriously inventive and viscerally moving, Mortimer's debut is a patterned, protean narrative that astonishes and overwhelms'. 

Leila Mottley - Nightcrawling  
(American)
In 2015, scandal erupted when a group of Oakland police officers sexually exploited a vulnerable teenage girl. This scandal inspired Mottley's debut novel. Kiara struggles to make ends meet when she turns to prostitution in desperation. Picked up by the police, they take advantage of her. The judges said of this novel: 'Nightcrawling is a dazzling and electrifying novel set in the streets of Oakland, where the protagonist Kiara will face a justice system that oppresses young black women. A spellbinding story and a Catcher in the Rye for a new generation.' At only 20 years old, Leila Mottley is the youngest Booker longlister.

Selby Wynn Schwartz - After Sappho  
(American)
This is the debut novel by Selby Wynn Schwartz, a writing teacher at Stanford University. The historical novel explores the lives of women, many of them well known feminists, who took control over their own lives at the turn of the twentieth century. Sarah Bernhardt, Isadora Duncan, Lina Poletti, Gertrude Stein, and Virginia Woold are among the voices in this tale. The judges said of this novel: 'A poetic patchwork of fragments of literary history that together take shape as an intergenerational tale of the Lesbian family. An ancestry eruditely, playfully recovered.'

Elizabeth Strout - 
Oh William! 
(American)
Strout is well known for her Olive Kitteridge and Lucy Barton novels. Oh William! is the third novel in her Barton series. Lucy is invited by her ex-husband William on a quest to investigate a family secret. As they travel together the learn more about each other and themselves. The judges said of this novel: 'This is meticulous observed writing, full of probing psychological insight. Lucy Barton is one of literature's immortal characters - brittle, damaged, unravelling, vulnerable and most of all, ordinary, like us all.'


Before the longlist was released, I predicted which novels would make the longlist. I correctly guessed that NoViolet Bulawayo and Audrey Magee would be on the list, but was wrong about the rest. I am disappointed that Douglas Stuart (Young Mungo) and Julie Otsuka (The Swimmers) were not nominated. I am also surprised at the overemphasis on American writers and saddened that there are no Canadian or Australian authors nominated.

I have started Case Study (and am already engrossed!). I also have the novels by Keegan, Mottley, Diaz and Fowler so will try and read many of these before the shortlist is revealed. 

The Shortlist will be announced on shortlist on 6 September 2022 and the winner in October. Better get reading!

Saturday 23 July 2022

Blue Moon

I have written before about how much I enjoy Australian crime thrillers. I have long been a fan of Jane Harper, Chris Hammer, Sarah Bailey and have recently become acquainted with Garry Disher. So whenever I hear about a new voice in Australian noir, I jump at the chance to find a new thriller I can sink my teeth into.

In May 2022 journalist Matthew Spencer published his debut novel, Black River. Set in Sydney at the peak of summer, there is a serial killer on the loose which has the whole city on edge. The 'Blue Moon Killer' has murdered two people already in Gladeseville, a suburb on the north side of the Parramatta River. When a body of a teenage girl is found at an elite boys school in North Parramatta, more than 10km up river, there are enough similarities to concern police that they will have to cast a wider net. 

Adam Bowman is a journalist working the late night shift at a national paper owned by a media baron. He goes out to cover the case and has an advantage as he grew up at this elite school where his father was a teacher. He knows the shortcuts and secret entries, so can make his way into the sprawling campus with ease. 

Detective Sergeant Rose Riley is a driven investigator determined to crack the case. Working as part of an investigative team Riley recruits Bowman to assist with well timed leaks and exclusives. The relationship between the two is symbiotic, but not wholly trusting, and I was pleased that there wasn't a romance whacked into this storyline. 

The characters are well crafted with sufficient information to make them realistic, and enough backstory yet to be revealed should this novel end up becoming the first in a series.  I really liked how Spencer portrayed the state of journalism - with Bowman working at an office which has been gutted by cutbacks, an absentee media owner who calls the shots, and the pressure to break stories with a blistering headline and exclusive access.

The story was complex enough to keep the reader guessing, with a lot of characters to keep track of. The page-turning pace builds to an exciting and satisfying conclusion. Spencer has an intriguing writing style, in which he uses Aussie slang and brand names, some of which may be problematic for an overseas market. But personally I loved it. Having made Sydney my home for the past 25 years, I appreciated the Spencer wove in aspects of the city from Surry Hills to Balmain to Parramatta. After so many Aussie crime novels set in fictional outback towns, it was great to have one set here in the Harbour City. 

Overall, an excellent debut novel and a wonderful new voice in Australian crime thrillers. 


Thursday 21 July 2022

Booker 2022 Predictions

The Booker Prize Longlist will be announced next week. It is always difficult to predict which novels will make the cut. Sometimes there will be obvious contenders, but the Booker always throws in some surprises. 

To be eligible, the novel has to have been written in English and published in UK/Ireland between 1 October 2021 and 30 September 2022. While I am not across when novels were published in UK/Ireland, I am going to take a guess at who might appear on the longlist.

My predictions are:


I would love it if Jennifer Down were nominated for her award winning novel Bodies of Light, or Jennifer Egan for The Candy House, but I am not sure if they meet the eligibility rules.  

The longlist will be announced on 26 July, followed by the shortlist on 6 September and the winner announcement in October. 

Wednesday 20 July 2022

Miles Franklin Award Winner 2022

The winner of the 2022 Miles Franklin Literary Award, Australia's most prestigious literary award, was announced via a live online presentation on 20 July 2022. This year the award and its $60,000 prize went to Jennifer Down for her novel, Bodies of Light.

Maggie Sullivan is institutionalised, growing up in a foster homes and group facilities after her father is jailed. Neglected and abused, by 19 she is diagnosed with depression and trauma. The novel follows Maggie into adulthood, when she is forced to encounter her long buried past. 

I heard Jennifer Down speak at the Sydney Writers Festival in May and found her extremely impressive. Bodies of Light was also shortlisted for the Stella Prize. I am so pleased that she won and that her work will receive a higher profile. 

The judges said "Bodies of Light invites readers to witness the all-too-often concealed, destructive forces of institutionalised care. With extraordinary skill and compassion, Down has written an important book which speaks to an urgent issue in contemporary Australian life.”

Jennifer Down said “It’s a profound honour to be awarded the Miles Franklin Literary Award—I’m still pinching myself. To be longlisted, and then shortlisted, among authors whose works I’ve long read and admired, already felt like a stroke of exceptional fortune. I was, and am, elated to be in the company of writers embracing stylistic, thematic and formal diversity, whose works explore such different slivers of ‘Australian life’.”


The announcement of the winner was live streamed:




Saturday 16 July 2022

Sisters of Crete

In the past few years I have become fascinated with novels that retell Greek myths from the perspective of women. Madeline Miller's Circe is perhaps the best example, taking a fairly minor character from Homer's Odyssey and putting her centre stage. Pat Barker's delicious trilogy about Troy is narrated by Briseis, Achilles' slave. Natalie Haynes, Margaret Atwood and other authors have retold these myths for a contemporary audience.

I am not entirely sure why I love these novels so much. Perhaps it is because the authors take a familiar story and tell it through a female lens. Perhaps it is because the novels breath new life into classic tales. Regardless, I anticipate my obsession will continue and I am currently planning a trip to Greece where I can walk in the mythical footsteps of these wonderful characters. 

My most recent adventure is with Jennifer Saint's debut novel, Ariadne (2021). The story of Ariadne is well known, but for those unfamiliar the next paragraph contains spoilers. 

The daughter of King Minos of Crete and his wife Pasiphae, Ariadne and her sister Phaedra grew up in a palace. Their half-brother was the Minotaur - a half-man, half-bull beast - who resided in a complex labyrinth under the palace. Each year the seven young men and women were sent from Athens to be sacrificed to the Minotaur, as Minos' price for the killing of his son. One year, Theseus, son of Aegeus, King of Athens, is among those to be sacrificed. He slays the minotaur and takes Ariadne with him to Naxos. On Naxos, Ariadne meets the god of wine, Dionysus, whom she eventually marries. The tale, of course, ends in tragedy with Ariadne meeting her fate at the hands of Perseus, slayer of Medusa. 

Jennifer Saint tells the story of Ariadne's life with the first third concentrated on her time at Crete, the next third on Naxos, and the final part wraps up the tale. In telling this story, Saint was able to bring in many different myths - Icarus, Medusa, Semele, Daedalus, Acoetes, and more. While this was enjoyable, I can't help but think that some of these side-stories could have been left out to allow more time for Phaedra's story and to flesh out the characters. 

As a protagonist, Ariadne was passive and frustrating. She was a compliant daughter destined to become a compliant wife. Ariadne makes a significant decision early on which sets the story in motion. But just when you think she will be the hero of her own story, she reverts to be passive and compliant again. She spends a lot of time walking around her vineyards, turning a blind eye to what might be happening around her. Her sister Phaedra is far more interesting. A curious, adventurous child, Phaedra ends up in Athens, forced into a role she does not want. The chapters then alternate between Ariadne and Phaedra, which enliven the story and I found myself wanting more Phaedra.  But as the novel heads towards its conclusion, when both women take their fates into their own hands, the ending is hurried and unsatisfying.  

Despite my reservations about Saint's passive characterisation of Ariadne, the pacing which felt rushed at the end, and some jarring language choices, overall I enjoyed this debut novel. Saint's second novel, Elektra (2022), is already on my bookshelf.