In Italy, Ripley meets Dickie, befriends him and explains the errand he is on for Dickie's father. Dickie is happy in Italy - painting, swimming, and spending lazy afternoons drinking with his friend Marge Sherwood. Ripley quickly immerses himself in Dickie's world, much to the dismay of Marge and eventually Dickie himself.
Things turn sour and, when Ripley feels Dickie is about to unfriend him, Ripley kills Dickie on a boating trip. He then assumes Dickie's identity, moves to Rome, living off the regular cheques sent from Dickie's trust fund, and cutting off ties with Marge and others in Mongibello.
Ripley, as Dickie, then has to hide away from people in his old life and is constantly afraid of being discovered. When the police begin to try and track down Dickie, Ripley shifts between being himself and pretending to be Dickie. It is a high stakes game he is playing, as the police begin to suspect Dickie has been involved in criminal behaviour or has killed himself.
The novel quickens pace as Ripley struggles to stay ahead of the police, Dickie's friends and family, and his own paranoia. Will he be caught? Will he inadvertently give himself away?
I thoroughly enjoyed this book and the complex character Highsmith has created. Ripley is not just a common sociopath. He loves art, literature and language. He longs to fit in, but he is uncomfortable in his own skin and wants to be someone else. He is gay, but in a time when this was not accepted, he cannot be himself. He longs to be loved, if not as Ripley then as someone else, even though he knows he can never really escape being Tom Ripley.
Highsmith continued the Ripley tale in a series of novels, known as the Ripliad:
- Ripley Under Ground (1970)
- Ripley's Game (1974)
- The Boy Who Followed Ripley (1980)
- Ripley Under Water (1991)
It will be interesting to see how Ripley has fared over many years and how Highsmith has written this character over almost forty years.