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The novel is told from Holden’s perspective – a stream of consciousness monologue in which he frequently uses phrases like “that killed me” or referring to everyone as “old” (Old Ackley, Old Stradlater, Old Allie etc). Holden rails against the phonies of the world: the fake; the superficial; and the pretentious. He is bored and ungrounded with a lack of interest in most things. He lies compulsively, inventing tales to thwart his ennui.
Holden’s angst is central to the novel. He is immature yet deeply thoughtful. He is also anxious and desperate to preserve childhood from the corruption and phoniness of adult life. He seeks to protect his beloved younger sister Phoebe and maintain her childish naiveté forever. Misinterpreting a Robert Burns’ poem, Holden sees himself catching children running from a rye field before they fall off a cliff.
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The Catcher in the Rye is one of the best novels of the 20th century. It has been frequently censored for its themes and language, which seem so tame and uncontroversial in modern times. On re-reading Catcher as an adult I have a deeper appreciation of the underlying themes and the quality of Salinger’s writing. I have now bought a new copy to treasure and am sure I will read and re-read this version time and again.